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Snøhetta: Wild Reindeer Centre Pavilion in Norway

04-01-2012

Snøhetta: Wild Reindeer Centre Pavilion in Norway

A shelter from which to observe nature and wild animals in their natural habitat in Norway's Dovrefjell National Park wins the 2011 WAF prize in the Display category

EcoCube, a mixed-use building for Oslo

24-10-2011

EcoCube, a mixed-use building for Oslo

Norwegian architecture studio

Roma, Area Norway at Macro Testaccio

26-07-2011

Roma, Area Norway at Macro Testaccio

At the same time as the monographic exhibition on the work of Snøhetta architectural studios and as a complement to it, setting it in its geographic and cultural context, MACRO Testaccio in Rome is hosting a second exhibition about the Norwegian architecture, open until August 15.

SNØHETTA EXHIBITION, ARCHITECTURE – LANDSCAPE - INTERIORS

14-07-2011

SNØHETTA EXHIBITION, ARCHITECTURE – LANDSCAPE - INTERIORS

The exhibition at MACRO Testaccio in Rome offers the only opportunity for Italians to take a closer look at the work and designs of Snøhetta architectural studios.

World Cup Nordic Oslo 2011: Ski Jump by JDS

11-07-2011

World Cup Nordic Oslo 2011: Ski Jump by JDS

Archistar JDS designs a symbolic work focusing the world’s attention on the city of Oslo, a formerly overlooked Scandinavian capital which is now the world’s ski jumping capital, under the flag of the ski jump built for the 2011 world championships in Holmenkollen. Lit up at night, the work is a landmark celebrating the city and its favourite sport.

Discords: Norwegian Architecture 1945–65

26-01-2011

Discords: Norwegian Architecture 1945–65

The National Museum of Norway’s architecture collections are on display for the first time in new premises expanded and renovated by Sverre Fehn in 2008.

Exhibition of the works of Kristin Jarmund

25-01-2011

Exhibition of the works of Kristin Jarmund

An exhibition of selected works by architect Kristin Jarmund, a representative of the new generation of the Norwegian school, is coming to Italy, accompanied by a catalogue including an essay by critic Kenneth Frampton.

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